Blast Furnace Blues Festival will return to ArtsQuest’s SteelStacks campus. This decade-long free event will feature two days of live music for the community to enjoy while honoring this great American genre’s history.

Schedule:

Eden Brent
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Friday, July 19, 2024 @ 5:00 PM, Free.
Levitt Pavilion SteelStacks
645 E. First Street
Bethlehem, PA 18015
610-332-1300

A little boogalography . . . Nicknamed "Little Boogaloo" by her Mississippi mentor Boogaloo Ames, Eden Brent is much more than her signature boogie-woogie piano and juke-joint blues holler. She is a celebrated songwriter and dynamic performer, with numerous nominations and awards including eleven Blues Music Award nominations since 2009 and three BMA trophies. Her most recent Yellow Dog Records album, Jigsaw Heart was nominated for BMA Acoustic Album of the Year, continuing a streak of nominations for her last three albums.

Born in the heart of the Mississippi Delta in Greenville, to a family of riverboat captains and guitar pickers, Eden's story could’ve been written by Tennessee Williams or any number of Mississippi’s colorful authors. The Greenville bridge is named for her grandfather Jesse, the Waterways Journal "Riverman of the Century". Her father, Captain Howard, famous for his Hank Williams renditions and grand story-telling, is a bona-fide living "River Legend", and her mother Carole was born a sharecropper but became a big band singer and fashion model, working at Chicago’s Chez Paris in the 1950's.

A life-long piano enthusiast, Eden was surrounded by music and learned her first notes at age three. "Grandma could read and play beautifully," Eden explains, "She taught me Middle C and my first simple tunes. I had an ear for music and was pecking out my brother’s recital piece before I was old enough to go to school.” Piano lessons were part of her education from primary school through graduation from the University of North Texas and beyond. "I always loved to play, but I hated to read and I really hated practice until I started hanging around Boogaloo. He put the music right in my hands.” She continues, “Daddy jokes he could’ve saved a lot of money on my college tuition had he introduced me to Boogaloo a few years earlier.” The duo traveled and worked together for 16 years until Boogaloo's death in 2002.

Eden is featured in three documentary films: Boogaloo & Eden: Sustaining the Sound; Forty Days in the Delta; 180 Degrees: Changing Lives in the Mississippi Delta, has appeared in print publications like USA Today and Garden & Gun, has been highlighted on national radio broadcasts including NPR Weekend Edition, House of Blues Radio Hour, and American Routes, and her music continues to delight both critics and live audiences alike.

Since launching her career, Eden travels the United States and abroad performing in festivals like Notodden, the Chicago Blues Festival, Cognac's Blues Passions, and the New Orleans Jazz & Heritage Festival. She's a frequent piano bar host aboard the Legendary Rhythm & Blues Cruise and has been a special guest aboard the American Queen Steamboat, a performance that celebrated her Mississippi River heritage.

She has released four solo albums: Something Cool 2003; Mississippi Number One 2008; Ain't Got No Troubles 2010; and Jigsaw Heart 2014, and is currently on the Yellow Dog Records label. In addition to her four solo albums, Eden recorded The Brent Sisters Party Dress with sisters Jessica and Bronwynne, also songwriters. Released in 2012, the album is a collection of songs written by their late mother, Carole Brent.

Bedlam Blues
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Friday, July 19, 2024 @ 6:30 PM, Free.
Highmark Blue Shield Community Stage on the Air Products Town Square
ArtsQuest Center
101 Founders Way
Bethlehem, PA 18015
610-332-1300

Bedlams Blues is a Lehigh Valley blues rock band with experienced band members rooted in the blues. Seasoned players bring you driving guitar sounds, smooth bass lines, and bluesy rhythms to set the groove. Bedlam Blues is in their 9th year of bringing music to the LV and surrounding areas.

Bedlam Blues would like to entertain patrons at your bar, brewery, winery, outdoor event, fundraiser or wherever people gather to enjoy blues rock.

The Harlem Gospel Travelers
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Friday, July 19, 2024 @ 7:30 PM, Free.
Levitt Pavilion SteelStacks
645 E. First Street
Bethlehem, PA 18015
610-332-1300

“When everything was stripped away, all we had left was the music,” says singer Thomas Gatling. “Difficult as it was, we realized that God was opening a door, and it was up to us to walk on through to the other side.”

It’s on the other side that we meet a transformed Harlem Gospel Travelers, complete with a new album, a new lineup, and a new lease on life. Produced by Eli Paperboy Reed, Look Up! marks the group’s first full-length release as a trio, as well as their first collection of totally original material, and it couldn’t have come at a more vital moment. The music still draws deeply on the gospel quartet tradition of the ’50s and ’60s, of course, but there’s a distinctly modern edge to the record, an unmistakable reflection of the tumultuous past few years of pandemic anxiety, political chaos, and social unrest. The songs here are bold and resilient, facing down doubt and despair with faith and perseverance, and the performances are explosive and ecstatic, fueled by dazzling vocal arrangements punctuated with gritty bursts of guitar and crunchy rhythm breaks. It’d be easy to classify the album as “retro” or “vintage,” but the truth is that the young men of The Harlem Gospel Travelers aren’t just reviving sounds from the past, they’re revitalizing them for the present and reminding us just how relevant this music is (and always has been) in times of hardship and uncertainty.

“Gospel’s at the root of everything,” says Gatling. “Country, folk, rock, soul, blues; we love it all, and it’s all in there.”

Gatling and his fellow Travelers—singers George Marage and Dennis Bailey—were all familiar with gospel music to one degree or another growing up, but it wasn’t until their introduction to Reed that they began to learn about the rich history of the gospel quartet and timeless groups like The Soul Stirrers, The Dixie Hummingbirds, and The Swan Silvertones. See, back in high school, Gatling and Marage were participants in a non-profit music education program known as Gospel For Teens, which invited kids from all over New York to come to Harlem and sing after school.

“I was invited to visit the program and I thought it was great,” says Reed, who was signed to Warner Brothers Records at the time, “but it was all choir music. I asked if they’d ever consider doing a quartet program for young men, and they told me they’d love to but they didn’t have a teacher.”

So Reed became the teacher, working with five or six teenagers at a time for semester-long programs focused on widening the students’ perspective of what gospel music could be and tapping into the true power of their voices. Participants came and went over the years, but some stuck around and began to suggest the kind of talent and ambition that reached beyond a simple afterschool program.

“I started working with Thomas when he was 13 or 14,” recalls Reed, “and he was the driving force behind this turning into more than just a class. He was bringing in song ideas of his own, and as he and George and some of the guys in the group began to age out of the program, I realized we needed to get them into the studio.”

Thus, The Harlem Gospel Travelers were born. Backed by Reed and an all-star band, the group put out their debut LP, He’s On Time, to rave reviews in 2019, with Pop Matters hailing the album’s “musical transcendence” and AllMusic praising it as “dreamlike and joyous.” The record charted on Billboard, earned the Travelers high profile fans like Elton John (who invited them to appear on his Rocket Hour radio show on Apple Music), and landed them festival slots everywhere from Pilgrimage to Telluride Jazz. By the time 2020 hit, the wheels were in motion for a breakout year of touring and recording. Instead, the entire world came to a screeching halt.

“On top of everything else that was hard about it, the pandemic was particularly tough from an artistic perspective,” says Bailey. “It kind of felt like shadowboxing. You can do it on your own for a while, but you don’t know what you’re really capable of until you get into the ring with an opponent who can hit back.”

Bailey, a college friend of Gatling’s, had joined the group after the release of He’s On Time, fleshing out a new lineup that saw the Travelers evolving from a quartet into a trio. And while Bailey’s bandmates may have had more experience in the studio and on the road, all three shared a similar sense of frustration with being stuck at home.

“I had to learn to use that time to work on myself and see what was getting in the way of my ability to create,” says Gatling. “When I learned to let go of those negative parts of myself, that’s when I started to write again and feel this sense of rebirth.”

The songs Gatling found himself writing were righteous and uplifting, reaching back into the past but keeping their sights set firmly on the future. Bailey and Reed contributed originals to the mix, as well, and when it came time to record, they had a batch of songs on their hands unlike anything else they’d ever heard, a collection that at once harkened to the golden era of the gospel quartet and simultaneously tipped its cap to the likes of The Staple Singers and Curtis Mayfield, all while keeping its feet planted firmly in the 21st century.

“When we got back into the studio again after all that time, it felt like I was back home with my family,” says Marage. “I was in tears by the end of it because I could hear how far we’d come and how much we’d all put into this. It was an elevation in every sense of the word.”

That elevation is clear from the start on Look Up!, which opens with the exhilarating title track. Like so much of the album, the song insists on hope and believing in a brighter tomorrow. “You’ve got to raise your gaze above the haze and find yourself some better days,” Gatling and Marage sing, alternating back and forth on the lead. “And if you search your heart you’ll finally start and be on your way / Look up!”

“At the time, I was writing a lot of this material as encouragement to myself,” Gatling explains. “The songs were like a journal where I could work out my feelings in a really therapeutic way, where I could be uplifting without sacrificing any honesty or vulnerability.”

The fervent “Hold On (Joy Is Coming)” finds strength in a moment of weakness, while the blistering “God’s In Control” (written by Bailey) surrenders to a higher power, and the blissful “Nothing But His Love” embraces joy and gratitude. Upbeat as the record is, though, the Travelers don’t shy away from the painful truths of the modern world, tackling racism and injustice with a fierce sense of determination and pride on tracks like the funk-tinged “Hold Your Head Up” and stirring “Fight On.”

“I love those old Negro spirituals like ‘We Shall Overcome’ and ‘I Shall Not Be Moved,’” says Gatling, “but that’s not what I wanted to do here. I wanted to write songs that would make us feel empowered and call us to action, battle cries in the war against white supremacy, against division and hatred and oppression.”

The only way to fight those battles, as history has shown us time and again, is with love and faith and community. We’re stronger together—in song and in life—and Look Up! revels in that sense of belonging and inclusiveness. The stirring “Let Me Tell You” showcases the mesmerizing bass vocals of 18-year-old North Carolina vocalist Kendall Kent, who guests throughout the record; the tender “Help Me to Understand” shines a spotlight on drummer Aaron Frazer (Durand Jones & The Indications, Yola), who sat behind the kit on the first record but returns to lend his soulful vocals here; and the high octane “I’m Grateful” raises the rafters with a little help from Gatling’s mother, Pastor Cynthia McCants.

“I grew up singing with my mom and she’d always take me preaching with her,” Gatling explains. “Getting her into the studio to capture our relationship and what we do on Sunday mornings in church was a really special thing.”

Perhaps no track better encapsulates the album’s spirit, though, than the waltzing “God Will Take Care Of You.” Building from a spare, near-sermon of an intro into a feverish frenzy in less than three minutes, the song showcases the full width and breadth of the group’s remarkable range as it promises: “He’ll never leave you / Never forsake you / God will take care of you / I know that He will.”

“I was in such a deep dark place when I wrote that song,” reflects Gatling. “I was in the wilderness and I needed that comfort. Whether you believe or not, I know that when you hear us sing it, you’re going to feel something.”

And that’s what The Harlem Gospel Travelers are all about. They’re here to move you, to lift you up, to free you from your burdens and take you someplace higher. Because even when the world seems its darkest and everything else gets stripped away, the music still remains. It always does.

Tony Holiday
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Friday, July 19, 2024 @ 9:00 PM, Free.
Highmark Blue Shield Community Stage on the Air Products Town Square
ArtsQuest Center
101 Founders Way
Bethlehem, PA 18015
610-332-1300

There's something about Tony Holiday that draws people together. In fact, community has been at the core of Holiday's young career from the beginning. Since relocating from Salt Lake City to Memphis in 2017, Holiday has been at the center of a soul blues revival in Memphis, anchored by a contingent of young, savvy well-schooled musicians with a "family-like" attitude and a strong belief in one another. Mentored by past legends, Holiday and this loose Memphis collective are building on the city's rich traditions and carrying them forward.
Motel Mississippi, Holiday's 2nd solo album, was recorded about an hour outside Memphis in Coldwater, Mississippi, at Zebra Ranch, the studio of the late great Memphis legend Jim Dickinson (The Rolling Stones, Big Star). Combining the sounds of North Mississippi Hill Country, Delta Blues, and Memphis soul, Motel Mississippi is equal parts hypnotic blues, driving soul, and juke joint stomper. The album consists of six originals and two covers, "Rob & Steal" by Paul Wine Jones and "Nobody But You" by Asie Payton.

Like with previous projects, Motel Mississippi began as a collaborative effort, this time between Holiday, guitarist/songwriter A.J. Fullerton and guitarist/producer Dave Gross who shared production duties with Fullerton. Rich sonic layers provide a forward-thinking quality to these productions, conjuring up a vibe that's modern and retro at the same time.

The drone and drive of songs like "Rob & Steal" and "Get By" contrast with juke joint grooves like "Just As Gone" while diving into new territory with the Cajun-infused double harmonica instrumental "Yazoo River." The album was recorded by another mainstay of recent Memphis recording, Kevin Houston (Southern Avenue, North Mississippi Allstars, G. Love). Other musicians on the album include Lee Williams Jr. on drums, Terrance Grayson on Bass, Aubrey McCrady on guitar, Jake Friel on Harmonica, and Mikey Junior on backup vocals.

Motel Mississippi follows 2020's Soul Service, produced by another regular collaborator, Southern Avenue's Ori Naftaly. This followed two volumes of Tony Holiday's Porch Sessions, which saw Holiday traveling across the United States and throughout Europe recording blues musicians on their very own front porches, in front of juke joints, in the countryside, and even on the front stoops of raucous night spots in bustling cities, resulting in two critically acclaimed albums. The guest list struck a balance between older legends like Grammy® winners Charlie Musselwhite and Bobby Rush, former Muddy Waters guitarist John Primer and the iconic Lurie Bell, alongside some of Holiday's peers Southern Avenue, Victor Wainwright, and John Németh. The latter two have served as important mentors for Holiday since his move to Memphis.

Free.