The Boston Palestine Film Festival (BPFF) brings Palestine-related cinema, narratives, and culture to New England audiences.

The festival features compelling and thought-provoking films, including documentaries, features, rare early works, video art pieces, and new films by emerging artists and youth. These works from directors around the world offer refreshingly honest, self-described, and independent views of Palestine and its history, culture, and geographically dispersed society. Each year, guest filmmakers from various countries and expert commentators add contextual depth to the films.

Schedule:

7:00 p.m: Familiar Phantoms at MassArt Design and Media Center
2023, Experimental, 40 min
by Soren Lind and Larissa Sansour
Familiar Phantoms is inspired by anecdotes from Sansour’s own family history and her old childhood in Bethlehem, making it her most personal film to date. Combining scenes filmed in a derelict mansion, Super 8 footage and private photos, the editing mimics the workings of memory, constantly revisiting the same imagery alongside new fragments in search of meaning. Throughout the film, the mansion serves as the seat of memory. In the rooms, vignettes are played out, adding a theatrical dimension, enlarging and exaggerating the narrative components, just as memory perpetually reworks, reinforces, adds and subtracts. While most scenes are acted out by actors, other scenes turn objects and mementos into sculptural installations, a dark space decorated with dozens of suspended love bird cages, a group of taxidermy seagulls sitting on the floor or a free-standing sink full to the brim of lemons.

Three Promises at MassArt Design and Media Center
2023, Documentary, 61 min
by Yousef Srouji
Three Promises is the story of a mother and her camera, of a son and his suppressed memories, and of an entire country. At the start of the 2000s, while the Israeli army is retaliating against the second intifada in the West Bank, Suha films her daily family life, punctuated by frequent trips underground and overwhelmed by the anguish of her two young children. At every moment of intense danger, she promises God that she will leave if they survive. In 2017, her son, the director of this film, discovers this archive and reconnects with this suppressed past, wondering with his mother what drove her to record a daily life of suffering, a stolen childhood, and why she delayed fleeing, paralyzed by the hope for change and burdened by the impossible choice between physical safety and emotional upheaval. While on the surface there emerges the heartrending portrait of everyday life in times of war, it is the staggering beauty of a mother’s love that is revealed between the lines. Blending the voice of the present with impressive family footage, Yousef completes the story begun by Suha, thus averting the act of forgetting, both personal and collective.